Showing posts with label 80's. Show all posts
Showing posts with label 80's. Show all posts

An American In London

London, June 17th, 1986

American SLADE FAN Matt Shaughnessy managed to grab a quick interview with Noddy Holder in mid 1986.

"....I visited London in June, 1986. Met Nod at Keith Altham's agency and went next door to the pub for the formal Q & A and then had a nice walk with him back to the parking lot. It is a day I will always look upon with fond memories."


"I did the interview on spec for a monthly music magazine in the Chicago area called The Illinois Entertainer. I made the interview fairly vanilla (about 3/4 of which Malc put in Percy) for a market not very familiar with the boyz. Off the record, so to speak, I asked more direct questions about things I was personally interested in like Whatever Happened To Slade period, thoughts on Standing On The Corner as a single (he said he was in favor but was outvoted) etc." 
It was published in the July - September 1992 edition of Percy, the Slade Fan Club magazine,.





How has Slade lasted so long together?
"It's a long time, that's for sure, but we sorted things out in the first few years. Any differences we had, we took care of early on. As for 20, now 21 years together, we never thought that it would go on this long. One thing that has helpedis that we don't live in each other's back pockets anymore. We've realised that there is a life outside of Slade, so when we do get back together to write, record or perform, there's a lot of excitement."
How did the band originate?
"We came together in 1966 as the 'N Betweens and after Chas Chandler (ex Animals bassist and Jim Hendrix manager) began managing us, we changed to Slade."
What was it like for the band in the early 70's?
"It was fantastic. For a time we could do no wrong, what with the 6 number ones, we couldn't ask for much more. Of course we knew it would come to an end sooner or later, but we enjoyed it while we could."
Of course, what followed in the late seventies was your 'duff period'. How did Slade handle that?
"It was a very difficult time for us. We had pretty much saturated the UK and European markets, and for the life of us, we couldn't crack the American scene. This left us in a precarious position of having been huge for too long and from 1976 - 1980, we couldn't shake the apathy the British record buying public had toward us. Same with the radio stations - we couldn't get any airplay. It was a frustrating time and by early 1980, we came close to packing it in."
Bands such as Kiss, Twisted Sister, Billy Squier, U2 and Iron Maiden, to name a few, have acknowledged that Slade have had a profound influence on their music. Any thoughts on this?
"It came as a surprise to us. Since we were never a major factor in America our first time around, I guess we never 
realised what a seed we'd sown over there. We quite like the idea that Quiet Riot went to number one with 'Cum on 

feel the noize'. It shows that Slade's songs have stood the test of time. We really appreciate knowing we've helped 

influence other bands. You know, we finally met up with Gene Simmons and he told us that 'Rock and Roll All Nite' 
was Kiss' 'Mama Weer All Crazee Now'. We thought that was great. 
Any special plans for your anniversary?
"We don't have any special plans, other than the new album. We've finally got it finished and feel we have some of the best songs we've ever written."
Speaking of songwriting, Slade has had 23 top 40 hits in the UK, second only to The Beatles. Who does the writing?
"Well, Jim writes the music and I write the lyrics. It's worked that way from the outset, and we used to kid within the band that me and Jim wrote 'em and Don and Dave sold 'em!"
Do you think Slade will be around in 2006?
"Bloody 'ell! I hope not! Like I said, I never thought it'd last this long. All I can say is that as long as we're having fun and people want to hear us we'll keep doing it!"


This issue of Percy ironically had the first actual mentions of Dave and Don carrying on (without Nod and Jim) under the Slade name, with an advert for a large gig in Germany. There was no announcement or anything that 'that was it'. Which makes the last question - even though it was from a few years before - just that little bit more poignant.
"What a thrill and pleasure it was to meet and chat with Nod. He was very accomodating, interesting, and generous. A great day and one I'm grateful to have had."
Matt Shaughnessy: The Slade Archive 2010
Download the Rock 'n' Reel - Noddy Holder pdf here.

Many thanks to Matt 'MDS' Shaughnessy of the Slade Archive forum and for sharing his photos taken by Dave Kessler.

Next Page

Rogues Gallery

UK / Europe, 29th March, 1985
RCA - PL 70604

This album was originally going to have been called "Partners In Crime" at first, but the band's twelfth Studio Album's title was then changed to "Rogues Gallery".  It reached Number 60 in the UK Album Charts.






Having decided to take a break from touring, Slade's penultimate studio album (discounting Crackers), Rogues Gallery, would be the first as a studio-only band. Following the smash hits "My Oh My" and "Run Runaway", which also gave Slade their long-awaited American breakthrough, it's unsurprising that Rogues Gallery presented particularly commercial material, leaning more towards pop-rock. Not only did John Punter return to produce the majority of the album, it also saw Slade adopting synthesisers as a dominant instrument. As such, this is an album that presents a highly polished Slade, with Noddy Holder and Jim Lea attempting to write an album's worth of material that all had single potential.

The band wear a 1980s, synthesiser-led sound and glossy production very well, though the songs themselves are typical Slade regardless. "Hey Ho Wish You Well" recalls the energy of "Run Runaway" and opens the album in a notably jaunty mood. Songs like "Little Sheila", "Myzsterious Mizster Jones" and "I'll Be There" are all enthusiastic, spirited anthems with strong hooks, memorable lyrics and stirring choruses. Of the slower tracks, "Harmony" is a nice song of its ilk; more profound and earnest in its nature, but not without retaining an irresistible hook. As with other songs on the album, including "Walking on Water, Running on Alcohol" and "I Win, You Lose", the song's lyrics suggest an autobiographical account on Holder's part, who had been through a divorce in 1984. Equally, "7 Year Bitch" features some rather attentive lyrics, alongside another catchy refrain.

Tim Turan has done an excellent job of remastering the album for the 2007 Salvo re-issue, which includes nine bonus tracks. Of them, "Leave Them Girls Alone" is another lively number with a killer chorus, and Holder and Lea exchanging lines in the verses. "Do You Believe in Miracles", which was released as a charity single later in 1985, bears many similarities to the material on Rogues Gallery as an infectious, radio friendly number. Complete with another singalong, anthemic chorus, the song was inspired by Bob Geldof and Live Aid.

Whether Rogues Gallery can be considered to rank alongside the band's 1970s classics such as Slayed? and Slade in Flame is arguable. However, as an album of its time, it stands as a strong effort in the Slade canon; ten numbers with an emphasis on catchy hooks and singalong choruses. Holder's vocals too, as ever, are on top form, albeit perhaps smoother and more polished than before. One of the band's biggest advantages is that all of their albums are so obviously Slade, yet they each have their own identity; a slightly different variation of the Slade sound with Rogues Gallery being no exception.
( Review courtesy of  A.J. Smith )

To see the band performing Hey Ho Wish You Well on BBC's Saturday Superstore, in 1985, click on this link here.



Australia, 29th March, 1985
Starcall / Victor - SFL1-0127 / ( PL 70604 )




7 Year Bitch

UK, 14th January, 1985
RCA Records - RCA 475

7 Year Bitch marked the second stage of Slade's attempt at returning to the high end of the U.K. charts. The largely successful singles My Oh My (1983, peaking at #2) and Run Runaway (1984, peaking at #7), put Slade back in high demand. By the end of 1984, All Join Hands was released, peaking at #15. The song's similar sound to My Oh My was probably the reason why RCA wanted the song as a single. On one hand, it was a safe bet but on the other it pushed Slade into a corner, becoming very much a Christmas band in the eyes of the general public.

7 Year Bitch was the first sign of a new sound forming - highly polished commercial rock, with the adoption of the mid-80s synthesizer craze. With the band already gearing towards the reputation of being a Christmas-only band, the single's title and lyrical content caused the song to be banned across the U.K., with BBC and the like refusing to touch it. More unfortunate for the band, 1985 was at the height of a wave of political correctness and so the single simply didn't stand much chance. The single managed to peak at #60 in the U.K., still more successful than the band's late 70s period, whilst peaking at #20 in Poland and #39 in Germany.

The band felt unfairly judged by the media, where the band observed that nobody complained about song's like Elton John's The Bitch is Back which was a hit. Holder recalled in a 1998 interview of 7 Year Bitch's potential, "but we got a bit of a backlash". Whilst the band were unfairly judged, the record was also somewhat of a miscalculation on the part of Slade and RCA. Perhaps simply titling the song '7 Year Itch' may have avoided such a backlash.


The lyrics themselves rated higher than Holder's usual lyrical output. Much like a lot of the Rogues Gallery album, where the single appeared, the lyrics were rather personal - an unusual feature on a Slade track. Perhaps autobiographical, the song spoke of a shameless young woman who takes advantage of older men.



Given a rather unusual music video of the band performing the song inside a tent, some models were hired to appear in the video and a food fight scene was also filmed. This was Slade's only music video to feature any sexual connotations. Although the band's days of performing live were over, the band did perform the song with live vocal on the UK TV show Saturday Live. The band mimed the song on various European shows, where countries like Germany took well to the song.

UK, 26th January, 1985 - 12", Single
RCA - RCAT 475

The single was also released in 12" format:-






This video is taken from the Norwegian appearance at the opening of the prestigious Scandic Hotel. Ivar Dyrhaug is the unfortunate host with the arduous task of attempting to briefly interview Noddy Holder. 


The b-side of the single was the non-lp track Leave Them Girls Alone, where the verses featured Holder and Lea exchanging lines, a unique feature. The song's infectious chant hints the song was perhaps designed to be a potential single.

In a mid-1989 Slade fan club magazine interview, Lea stated that he had been working on a re-worked version of "7 Year Bitch", a version that is nothing like the original. This version has never been released to date.


Next Page



7 Year Bitch
(Noddy Holder & Jim Lea)


Woh hohowho ho wohwohwohou
Woh hohowho ho wohwohwohou

You're going round the circle 
Through another phase
Your temperature rising, 
You're wining and dining 
A girl who's half your age
She gives you all the business
She gives to older men
And it's oh so understandable 
This lady-killer move
There must be something bottled up
You think you gotta prove
'Cause now that you're a member
Of something on the side
It's number...

[CHORUS:]
One, two and three, four and five, six, seven year
Can you control the bitch?
One, two and three, four and five, six, seven
Can you - control - the itch?

Woh hohowho ho wohwohwohou
Woh hohowho ho wohwohwohou

To tell the truth you're old enough 
To be her dad
She ain't gonna let up 
She wants you to set up 
A cosy little pad
Where she can entertain you
And everything is free
I can tell you always were a sucker 
For a pretty face
The nights you're home a Romeo'll 
Be there to take your place
'Cause now that you're a member
Of something on the side
It's number...

[CHORUS:]
One, two and three, four and five, six, seven year
Can you control the bitch?
One, two and three, four and five, six, seven
Can you - control - the itch?

You tell the wife another 
Business trip abroad
It's getting too much 
You better not touch 
What you cannot afford
I know it's monkey business
And I've seen it all before
And I know that you were overcome 
When she told you you're the best
You better believe she's saying the same 
To me and all the rest
'Cause now that you're a member
Of a little bit on the side
It's number...

[CHORUS:]
One, two and three, four and five, six, seven year
Can you control the bitch?
One, two and three, four and five, six, seven
Can you - control - the itch?

Woh hohowho ho wohwohwohou
Woh hohowho ho wohwohwohou
One, two and three, four and five, six, seven year
Woh hohowho ho wohwohwohou
One, two and three, four and five, six, seven year
Woh hohowho ho wohwohwohou
One, two and three, four and five, six, seven year
Woh hohowho ho wohwohwohou
One, two and three, four and five, six, seven year
(Repeat to fade)



Leave Them Girls Alone
(Noddy Holder & Jim Lea)


Woah woah-wow woah
Woah woah-wow woah

Oh I don't think you're the kind of girl who likes living  in a crazy world
You need loving any time you can - Hey I'm talking about the kind of man

If Daddy comes home at midnight
You'll cue Daddy's song
Well the girls are alright
Staying out all night
Leave them girls alone

Woah woah-wow woah
Woah woah-wow woah

I know that you ain't satisfied, I fooled around
Give me everything I won't let you down
I don't care if you're big or small
Give me dynamite, I want it all

If Daddy comes home at midnight
You'll cue Daddy's song
Well the girls are alright
Staying out all night
Leave them girls alone

Woah woah-wow woah
Woah woah-wow woah

On the town and all dressed up to kill
Don't do anything against your will
Overloaded and still want more
Much more than I've ever felt before

If Daddy comes home at midnight
You'll cue Daddy's song
Well the girls are alright
Staying out all night
Leave them girls alone

Woah woah-wow woah
Leaving all them girls alone
Woah woah-wow woah
Love and leave 'em alone
Woah woah-wow woah
Woah woah-wow woah
Woah woah-wow woah
Leave and love 'em alone
Woah woah-wow woah

Keep Your Hands Off My Power Supply 1984

USA, 1984

CBS Records - FZ 39336


'Keep Your Hands Off My Power Supply' is an alternate US release of The Amazing Kamikaze Syndrome which was released in the UK the preceding year. The title was lifted from a B-side track that was also added to the album track listing, along with 'Can't Tame A Hurricane' (another B-side) replacing Cocky Rock Boys and Razzle Dazzle Man on the original release. They also felt the need to shuffle the tracks around.

"...the Americans liked neither the title or the sleeve... they hated it so they brought it out as 'Keep Your Hands Off My Power Supply' and it had this cartoon guitar neck with a cartoon hand, which I could have drawn myself in five minutes flat! They said it was this new 'techno something' that was taking us into the new age.... Bugs Bunny?"
Noddy Holder: Radcliffe & Maconie, Radio 2, 2007
Interestingly, in addition to the lame cover art, it's worth noting that the hand on the front cover is a manicured and painted female, whilst the rear view on the reverse, the hand has clearly become male. Despite this, the album proved to be Slade's most successful American album over the group's more than 20 years of releases in the States. Both Run Runaway and My Oh My continue to receive consistent radio airplay in the United States and are considered Slade's most recognizable songs amongst Americans. Imagine, had the record company chosen something related to the Run Runaway video that the MTV audience recognised, what a difference it may have made. Of course, the same argument can be applied to the 'The Amazing Kamikaze Syndrome' cover art?

The rock band Quiet Riot covered Slade's 1973 UK chart topper Cum On Feel The Noize. Although Slade's original had not been successful in the U.S., Quiet Riot's cover peaked at #5. The song helped Quiet Riot sell seven million copies of their album Metal Health. As a result of this success, Slade signed with CBS Records.

    Run Runaway
    My Oh My
    High And Dry
    Slam The Hammer Down
    In The Doghouse
    Keep Your Hands Off My Power Supply
    Cheap N' Nasty Luv
    Can't Tame A Hurricane
    (And Now The Waltz) C'est La Vie
    Ready To Explode



    Produced by Jim Lea for Perseverance Ltd. except Run Runaway & My Oh My which were produced by John Punter. Manufactured and distributed by CBS Records Canada Ltd. Design by Jo Di Donato with artwork by Lou Brooks.
    © 1984 CBS Inc.
    ℗ 1982, 1983, 1984 CBS Inc.


    "Run Runaway", a celtic-flavoured rock-jig featuring some elliptical lyrics and the return of Jim Lea's fiddle. RCA saw the potential of the track and appointed John Punter to work on the track. The album version is extended to give more time for the Linn drum gallop. This track became the first hit in the US for Slade after years of trying to crack the American market, peaking at #20. The track is also a recommended track by allmusic.

    "My Oh My" came as Lea had always wanted to write a big, folksy ballad and when he presented his melody idea to Holder, the lyrics to My Oh My were created. The melody came from an idea that Lea had while listening to Hill and Holder tuning up in the dressing room before a gig at a University in Wales. This track became a huge hit in the UK, peaking at #2 and #37 in the US. The track is also a recommended track by allmusic.

    "High and Dry" was originally covered by female rock band Girlschool which was produced by both Holder and Lea. Chris Ingham stated "High and Dry is known for showing notable Holder vocal, once memorably described by Melody Maker's Jim Arundel as "a blistering yell that's akin to Little Richard undergoing throat surgery by blowtorch without an anaesthetic". High And Dry is also for its unapologetic commemoration of insensitive womanising; "you want equality", goes the lyric, "you won't get none of that from me". How that fits with Slade's declaration in My Oh My that they "believe in woman" is difficult to say, but a politically correct Slade wouldn't be Slade at all."

    "Slam the Hammer Down" opens the original album with a shouted soliloquy by Holder from a helicopter. Chris Ingham from Rock's Backpages stated "The track features an elaborately motor racing/sex metaphor." The track was issued as a promo in the US only.

    "In The Doghouse" featured brass instruments for the first time in a Slade track for years. Chris Ingham stated "In The Doghouse celebrates the carefree indiscretions of youth." Noddy Holder later recalled "there was plenty of good stuff on that album...we could have, theoretically, had another single...it would have been a hit", Holder was probably talking about In The Doghouse.

    "Keep Your Hands Off My Power Supply" appeared as a b-side to Slade's 1983 hit My Oh My. The title was used for the American version of The Amazing Kamikaze Syndrome. The song also appeared on the American release. Chris Ingham wrote "the track is a song about a drunk driver strongly advising his amorous passenger not to grope him while he's being followed by the police. The chorus is as fast as anything Slade ever recorded while the production typifies Slade's sound in the mid-80s." The track is also a recommended track by allmusic.

    "Cheap 'n' Nasty Luv" is described by Chris Ingham as "another in the series of Slade songs which display an interest in the oldest profession (see also Standing On The Corner, When Fantasy Calls) though the usual lusty appreciation is set aside here and replaced with an empathetic view of a young lady unhappy in her situation." On the American release, Keep Your Hands Off My Power Supply, the song is shorter than the European version which adds an extra synthesizer section.

    "Can't Tame a Hurricane" was originally taken from the 12" version of My Oh My. The track featured on Keep Your Hands Off My Power Supply but not The Amazing Kamikaze Syndrome until the Salvo remaster in 2007. On the European release, the title was changed to "Don't Tame a Hurricane. Chris Ingham wrote "Don't Tame A Hurricane has a rocking terseness and directness that recalls Slade's '70s heyday while packing an '80s punch. The 'hurricane' of the song title refers to a larger than life character who won't be tied down and who's an "international cocktail who'll end up on the rocks".

    "(And Now the Waltz) C'est La Vie", described by Chris Ingham as "a waltz-time anthem about the bittersweet feelings surrounding an end-of-affair tryst", was originally released in 1982 as a Christmas single. In November 2005 on one of his regular TV-reviewing slots on the Mark Radcliffe BBC Radio 2 show, Holder was asked to choose a track from the recently released Best of Slade. To Radcliffe's surprise Holder chose this flop single. Holder reasoned the track showed off his voice really well.

    "Ready to Explode" is an eight-and-one-half-minute track that that opened side two of the original vinyl album. It is a multi-themed song suite about the excitement of motor racing, inspired in part by the Jim Steinman's work with Meat Loaf. Guitarist Dave Hill said "I seem to remember that he was hooked on the Bat Out of Hell album at the time, and he wanted to make a record about...being on the edge and all this type of thing". The track also featured Pete Drummond doing announcements on the track. The song was split into four different parts:
    • Part 1: The Warm Up
    • Part 2: The Grid
    • Part 3: The Race
    • Part 4: The Dream

    The album's chart run in America for a total of 18 weeks:
    • 05/05/1984 - #110
    • 12/05/1984 - #92
    • 19/05/1984 - #75
    • 26/05/1984 - #51
    • 02/06/1984 - #47
    • 09/06/1984 - #42
    • 16/06/1984 - #35
    • 23/06/1984 - #34
    • 30/06/1984 - #33
    • 07/07/1984 - #33
    • 14/07/1984 - #48
    • 21/07/1984 - #48
    • 28/07/1984 - #51
    • 04/08/1984 - #52
    • 11/08/1984 - #62
    • 18/08/1984 - #77
    • 08/09/1984 - #98
    • 15/09/1984 - #111

    Canada's CD release is manafactured in Japan?


    The album's chart run in Canada totalled 30 weeks:
    • 21/04/1984 - #93
    • 28/04/1984 - #77
    • 05/05/1984 - #69
    • 12/05/1984 - #54
    • 19/05/1984 - #42
    • 26/05/1984 - #32
    • 02/06/1984 - #28
    • 09/06/1984 - #27
    • 16/06/1984 - #26
    • 23/06/1984 - #26
    • 30/06/1984 - #27
    • 07/07/1984 - #26
    • 15/07/1984 - #26
    • 21/07/1984 - #26
    • 28/07/1984 - #27
    • 04/08/1984 - #36
    • 11/08/1984 - #36
    • 18/08/1984 - #36
    • 25/08/1984 - #36
    • 01/09/1984 - #36
    • 08/09/1984 - #39
    • 15/09/1984 - #40
    • 22/09/1984 - #43
    • 29/09/1984 - #54
    • 06/10/1984 - #54
    • 13/10/1984 - #54
    • 20/10/1984 - #54
    • 27/10/1984 - #61
    • 03/11/1984 - #68
    • 10/11/1984 - #84
    A fourth (Promo) single was released from the album in the USA, Slam The Hammer Down (Hot) / Slam The Hammer Down (Hotter) Mixes.


    Many thanks to Gordon 'Rasputin' Kerr for supplying the Canadian cover art for this release, he may find his vinyl one day and then I'll get a decent scan of the rear cover. If you look carefully at the illegible credits on the vinyl rear cover, they don't seem to match the CD release? :-/



    Slam The Hammer Down
    (Noddy Holder & Jim Lea)


    [Intro.]
    [NODDY (scream) from helicopter:]
    Hey you - you up there
    Yeh you - can you hear me
    I said, I said - can you hear me
    Don't you listen to me, when I'm talking to you?
    If you can't go for it - you can't go for it - good!
    And that means you walk a new way - for what new's gonna comin'!

    She's a cool kinda mama
    Sure gonna slam the hammer  down
    When your pistons are pumping
    Sure gonna slam the hammer down
    Oh when your body starts to shake
    It's time to loosen off the brake
    And ram it down

    Push the pedal to the metal
    Sure gonna slam the hammer down
    Gonna burn up the rubber
    Sure gonna slam the hammer down
    The checkered flag won't make you stop
    You keep on going 'til you drop
    And ramming it down

    Keep a moving and motor racing
    And the wheels go round and round
    Oh when you win you'll be celebrating
    Ready to slam the hammer on down

    Got a flash little chassis
    Screams when you slam the hammer down
    First, second, third and fourth
    Into top and ram the hammer down
    You know it's getting all too much
    When you're letting out the clutch
    And ramming it down

    Keep a moving, accelerating
    And you're ready to face the crowd
    Now you're opening up a wide gap
    Ready to slam the hammer on down

    Yeah - yeah - yeah - yeh,yeh yeh!
    You dun alright - you dun alright!
    You dun alright - you dun alright!

    Oh she's a cool kinda mama
    Sure gonna slam the hammer on down
    Get it up and ram it up
    And baby gonna ram the hammer down
    When you loosen off the brake
    Oh when your body starts to shake
    Fill her up with juice then baby
    Gonna slam the hammer down

    Yeah, oh ah!

    Run Runaway 1984

    January 27th, 1984

    RCA - RCA-385

    In 1984, the song "Run Runaway" became the first single to be taken from their album 'The Amazing Kamikazee Syndrome'. It was actually the third since 'My Oh My' had been the showcase single for the album and their 1982 release, '(And Now - The Waltz) C'est La Vie', had been added to the album.

    The album version features an extended drum gallop before blasting out the fantastic guitar riff. Most impressive is how the track truly kicks in with Noddy shrieking “Hold on!” and the most irresistible fiddle melody begins. Noddy’s lyrics are totally nonsensical and yet they work in every way possible. The fantastic backing vocals fit perfectly whilst the entire song is a showcase for the band‘s musical creativity. The entir song never fails to deliver everything Slade stand for.


    Many people refer this song to an influence of Big Country where I must stress that at the time of release, Big Country had not created anything remotely similar to the Run Runaway sound. The melody is in fact inspired by the hymn "There Is a Happy Land". Holder himself perfectly summed the song up as "a rocky Scottish jig".

    The song became the band's biggest American hit, benefitting from heavy play on MTV, peaking at #20 and spending a total of eight weeks in the Top 40. It was also number one for two weeks on the Billboard Mainstream Rock Chart and proved to be the band's last top 10 hit in the UK. 

    Dave Thompson, from allmusic described the song as "building on the anthemic power of the earlier "My Oh My" - itself their biggest U.K. single in nine years - "Run Runaway" is raucous chanting, swirling guitars, wild violin, and even a taste of heavy metal bagpipes, helped along by a drum sound that is pure early '80s". The single peaked at #193 for 1984 on rateyourmusic.

    A music video was created for the single, filmed at Eastnor Castle, Ledbury, Herefordshire, England. The track was also performed on many UK TV shows such as Hall of Fame as well as a few Top of The Pops performances. The track was also performed at Montreaux Festival in 1984 along with Slam The Hammer Down.

    In February 1985 it was performed on ITV's 'Saturday Live' (with a different backing track) when the band were promoting the 7 Year Bitch single.


    America got Run Runaway first and when it took off CBS put out My Oh My as the follow up. Run Runaway coupled with My Oh My promo'd in the US in 1984 on a CBS 12" (AS 1832) playing at 33rpm. I don't know if it came before the official release but Run Runaway promo'd in several guises. The blue promo has the Don't Tame A Hurricane B-side.



    The white promo with exactly the same catalogue number has Run Runaway on both sides. Note the playing time clocks in at 3:42 as do the European 7". In the UK this edit can be found on 'Feel The Noize - Slade Greatest Hits' and should have been used as an album bonus track by Salvo in 2007 remaster catalogue.

    1997 Compilation CD
    Polydor - 537 105-2
    Original Release

     Reissue, minus the "Feel The Noize" in the title!



    • Run Runaway
    • Two Track Stereo, One Track Mind

    There's little obvious difference between the 7" and 12". The 12" run out groove is stamped with RCAT 385 A-1U-1-1-1 and engraved with a 'guiness harp' followed by the letters 'TOPIA'.


    Visually, regarding info, it suggests that they both feature the same audio, no bonus track and no remix on the 12". This is not actually the case though, the 7" gives a time check of 4:59 but, although the label doesn't state as such, the 12" runs for 5:37. Had the 7" had been a Radio Edit then the album version and the 12" version would have been special. Sadly, the only real difference is an extended intro of drums and extra phased guitar intro causing the vocal to drop half a minute later at 1:30. Most people probably never even noticed.

    It's interesting to note that Run Runaway is published in 1983 whilst Two Track Stereo, One Track Mind is 1984. Two Track Stereo was obviously recorded in January '84.

    Canada, 1984 - 7", Vinyl, Single.
    CBS Associated - ZS4 04398.
    Run Run Away / Don't Tame A Hurricane :-




    This beautiful Japanese 7" (courtesy of hawkheriberto on discogs)





    The single's chart run in the UK for a total of 12 weeks:
    • 04/02/1984 - #54
    • 11/02/1984 - #40
    • 18/02/1984 - #34
    • 25/02/1984 - #19
    • 03/03/1984 - #10
    • 10/03/1984 - #7
    • 17/03/1984 - #14
    • 24/03/1984 - #20
    • 31/03/1984 - #32
    • 07/04/1984 - #53
    The single was a huge hit worldwide:
    1. Belgium - #27 for 1 week
    2. Canada - #15 for 16 weeks
    3. Germany - #19 for 12 weeks
    4. Ireland - #8 for 4 weeks
    5. New Zealand - #21 for 12 weeks
    6. Norway - #7 for 5 weeks
    7. Poland - #6 for 10 weeks
    8. Sweden - #4 for 7 weeks
    Slade's only top 20 hit in America lasted it's chart run for a total of 17 weeks:
    • 07/04/1984 - #67
    • 14/04/1984 - #56
    • 21/04/1984 - #50
    • 28/04/1984 - #44
    • 05/05/1984 - #39
    • 12/05/1984 - #34
    • 19/05/1984 - #32
    • 26/05/1984 - #27
    • 02/06/1984 - #25
    • 09/06/1984 - #23
    • 16/06/1984 - #20
    • 23/06/1984 - #27
    • 30/06/1984 - #43
    • 07/07/1984 - #65
    • 14/07/1984 - #80
    • 21/07/1984 - #84
    • 28/07/1984 - #98


    Reverse of Picture Cover of the Netherlands - RCA - 1983 Release!



    My thanks to Gordon Kerr for supplying the cover art. The track has been covered by Dominoo, Acid Drinkers, Great Big Sea, Bart Foley, Off Kilter, Rednex and Prydein.



    Run Runaway
    (Noddy Holder & Jim Lea)

    I like black and white
    Dreaming in black and white
    You like black and white
    Run Runaway

    See chameleon
    Lying there in the sun
    All things to everyone
    Run Runaway

    If you're in the swing
    Money ain't everything
    If you're in the swing
    Run Runaway

    See chameleon
    Lying there in the sun
    All things to everyone
    Run Runaway


    If you gotta crush
    Don't beat about the bush
    When I gotta crush
    Run Runaway

    See chameleon
    Lying there in the sun
    All things to everyone
    Run Runaway

    Oh now can't you wait
    Love don't come on a plate
    Oh now can't you wait
    Run Runaway

    See the chameleon
    Lying there in the sun
    All things to everyone
    Run Runaway

    Run Runaway
    Run Runaway
    Run Runaway

    Two Track Stereo - One Track Mind
    (Noddy Holder & Jim Lea)

    With her one track mind
    With her one track mind
    She was a hooked on two track stereo
    With her one track mind
    Woh-ho-oh

    Well she always had lousy timing
    But she'd like making love to music
    Wearing headphones
    Woh-ho-oh
    Wearing headphones
    Yeah-yeah-yeah

    They get in the way of talking
    And it don't sound the same
    When you have to shout sweet nothing's
    Woh-ho-oh
    Through her headphones
    Oh-ho-ho-ho

    With her one track mind
    Her brain in her behind
    She was hooked on two track stereo
    With her one track mind
    Woh-ho-oh
    Yeah-hey-hey

    She'd be late for a date on purpose
    Making sure that she keeps you waiting
    And while she makes up
    Woh-ho-oh
    Another new face
    Woh-ho-ho-ho

    She was always forgetting something
    And she'd easily lose her head
    And there'd be nowhere woh--ho-oh
    To hang her headphones yeah-yeah-yeah

    With her one track mind
    Her brain in her behind
    She was hooked on two track stereo
    With her one track mind
    Woh-ho-oh
    Yeah-hey-hey

    Oh well she always had lousy timing
    Wearing headphones while she's out eating
    Or out walking
    Like a zombie yeah


    With her one track mind
    Her brain in her behind
    She was hooked on two track stereo
    With her one track mind
    Woh-ho-oh
    One track mind
    What's going through her mind