Showing posts with label Flame. Show all posts
Showing posts with label Flame. Show all posts

The Making Of Flame

London, 4th September, 1974


In 1973 I was fortunate enough to attend the NME Pollwinners Concert at Wembley and the Earls Court concert, both of which were magnificient although I remember nothing of the actual shows now.

What I do remember is getting the invite to the filming of the live scenes for the Slade in Flame movie. I was so excited and also so worried that my Mum would not allow me to go. The filming was taking place at Finsbury Park Rainbow on a schoolday. I had to think long and hard about whether I should tell my Mum or just bunk off school and go to London?
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Fortunately I told her and she was cool about it. It turned out that there were 3 days of filming, the 4th, 5th & 11th of September 1974. You needed tickets to get in and they were given to us as we left the gig. I recall they were pissed off because the flame shaped guitars, made by Framus in Germany, didn't arrive early enough for the first day of filming.
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The filming sessions were choreographed, of course, and there was a lot of stop/start going on. Noddy addressed the crowd in civvies and explained to all that there would be a lot of waiting around but be patient and the group would be back soon to play some of their Slade hits. He also made it clear that no Slade stuff should be showing and that the names Noddy, Dave, Jim and Don were banned while the cameras were rolling. We were encouraged to shout out Stoker, Barry, Paul and Charlie but I don't think many people felt comfortable with that. Most people just screamed "FLAME" which was odd enough anyway.

About 40 minutes later they came out in their Flame costumes and played a few songs. Try as I might, I cannot recall with any certainty what they were but I think Mama Weer All Crazee Now, Cum On Feel The Noize and Skweeze Me, Pleeze Me were played. I seem to recall them playing Far Far Away too but I'm really not sure? It makes sense I guess, obviously this was a warm up for the group and also to get the audience into character. It was also the film crews chance to monitor the levels and frame the shots, etc.

Between the stage and the crowd was a space for a cameraman to walk along. In my head I remember a metal barrier and a guy with a Steadicam but I don't think they were invented yet so he may have been on a dolly but I couldn't see it. I remember the camera had a light on it and I could see his face pushed into the viewer.

In the movie there is a scene where a blonde girl gets onto the stage and gets carried off by security. We were standing right behind her in the crowd. We could hear the film crew telling her what to do and when to do it. I tried talking to her but she was so focused on what was about to happen that I might as well not have been there. She had a home made Flame banner, red letters on yellow silk which she asked me to hold onto for her. I never saw her again except in the movie but I kept the banner, I probably still have it in my attic?


Slade Fan Club Newsletter

October/November 1974


REPORT FROM THE RAINBOW
"During the filming of Slade's new film 'Flame' they shot a live performance at the Rainbow Theatre in front of an invited audience from the Fan Club. At 3 o'clock they took their seats in the stalls. They looked great; lots of them had sewn sequins and foil to their T-shirts and 'Flame' burns from a hundred vests. Banners and Noddy Hats, Streamers and even cardboard guitars sprayed with silver. Lots of reflecting colour, lights and crackling foil ribbons. They had really worked hard. 'Everybody's gonna be film-stars today' Nod hollers at the audience. Dave's had his hair cut. Jim looks very cool and together, Don looks well and happy and Nod is Nod. Today though, he's called Stoker, Dave is Barry Jim's called Paul and Don is Charlie. 'Flame' is a group picked up by a management and told what to do. I don't think it works like that now. The period is 1967 and that sort of thing went on then. 'Flame' entered from the bows of the stage wearing tremendous suits, yellow and red sort of jester outfits. Smoke seeps meaningfully around them. They sing 'Wishing you were here' from their new album."

"The banners are waving, the sequins are flashing, the security men are sweating. 'A good one that' shouts Noddy, 'there's cameras all around ya focused on you lot, you're all stars tooday, so lets ERE YA NOIZE'. 
COMPETITION
"The response from last month’s competition was tremendous and I spent many an hour reading your fascinating stories. The winner was chosen by Nod during one of the few breaks in the filming of ‘Flame'."
A WORD FROM JIM
"... 
Stardust was also on our agenda, the film was very sad and I now do believe that it has received an AA Certificate. I wonder what certificate the censors will give our film? Perhaps one day Dave Essex and ourselves could get together and make a film?"

Jim Lea: Newsletter Oct/Nov 1974




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Slade Fan Club Newsletter

December/January 1974/5
"After the very successful filming of 'Slade in Flame' at the Rainbow Theatre in September, there was to be another filming there in October. This was for a different scene but because of technical difficulties and the fact that they could not arrange a film crew for that day, we had to cancel it. The boys wish to apologise for the disappointment caused, and hope that seeing the film on the screen will make up for it."
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I guess that means they used (or cut) the 'not good enough' scenes?
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I found this business card in the Rainbow, never found out what it was for. I looked throughout the movie, in case it was a prop, but haven't spotted it?
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SLADE IN FLAME
FILM 
FLAME traces the story of a rock band's gruelling struggle to stardom, their brief span of success, and subsequent disintegration due to external pressures and internal conflict. 
Treading the boards of the north country are JACK DANIELS AND HIS DT’s, a 'second-rate band working a third-rate audience, with a fourth-rate agent creaming 10%' CHARLIE (Don Powell) auditions for the job of drummer, joining BARRY (Dave Hill), and PAUL (Jimmy Lea). JACK DANIELS (Alan Lake) monotonous circuit of North Country clubs, aided by BARRY's sometime girl friend, ANGIE (Sara Clee), and managed by a small-time crook of fading hopes, RON HARDING (Johnny Shannon). 
The group's venues bring them into contact with a rival outfit, ROY PRIEST AND THE UNDERTAKERS, a quasi-rocky horror band starring STOKER (Noddy Holder) as lead singer. DANIELS sabotages The Undertakers' performance by locking STOKER in his stage coffin in the middle of their act. A chase ensues, culminating in a bizarre fracas, which lands both groups in jail. PAUL and STOKER, the composing elements of their two respective bands, wind up in the same cell, and following their release the group reform as THE IRON ROD -- with STOKER replacing DANIELS, and involving BARRY's old school-mate, RUSSELL (Anthony Allen), as their unpaid roadie. 
The group's début at a local dance hall ends in near disaster when a violent clash develops between HARDING and STOKER. HARDING has never looked upon the group with much enthusiasm and uses the incident as a convenient excuse to drop them from his catalogue of dubious talent. However, their efforts have been noted by TONY DEVLIN (Ken Colley), working on behalf of a successful London advertising executive, ROBERT SEYMOUR (Tom Conti). After initial testing SEYMOUR has the band brought to London where he proceeds with much the same methods as he applies to cigarettes. The group are polished, groomed, fitted, dressed, and finally launched as FLAME on an unsuspecting public.  
The publicity programme is given a boost when the group become involved in a pirate radio attack in the Thames estuary, and their subsequent rescue brings them nationwide attention.  
FLAME's growing success has also been brought to the attention of their former manager, HARDING. He re-surfaces at a celebration party to inform SEYMOUR that the group are still under contract to his agency. SEYMOUR arranges for the offending document to be discreetly removed from HARDING's office and continues undeterred. HARDING tries to threaten the contract on SEYMOUR's behalf and has him beaten-up. SEYMOUR growing conflict between STOKER and PAUL, and while HARDING struggles with SEYMOUR for control, the group begins to slowly disintegrate. In addition to the creative conflict, they are becoming increasingly disillusioned with the life they are forced to lead. 
A nationwide tour is launched but despite FLAME's success SEYMOUR is pressurized by his backers to either come to terms with HARDING or else pull out. Realizing that the group themselves will shortly break up, SEYMOUR finally agrees. On the last night of the tour he returns home to call HARDING only to find he's too late. HARDING has sent in his operators to desecrate his child's bedroom.  
The following morning, HARDING arrives at the group's hotel to inform them of their return to his agency. He too left empty-handed: STOKER blandly tells him that FLAME no longer exists.  
Filmed in Panavision and Colour, with an original score by SLADE, FLAME will engender the audience with the feeling of having participated in what might have been a slice of a pop band's own life. 
ALBUM - The album Slade in Flame was released on 29th November - it was scheduled for the 22nd., but Polydor could not produce enough copies to cover the advance orders in time. The album contains 'How does it feel', the theme song from the film, 'Them Monkeys Can't Swing' is the first number performed in the film by the group under the name of Iron Rod. 'So far so Good' - this is used in the film as the initial number one hit for the group, FLAME. 'Summer Song' is performed in the final sequence of FLAME as the villain of the piece turns up at the seaside hotel to try to force the group to return to his agency. 'O.K. Yesterday was Yesterday' - for those who like their SLADE with all stops out. 'Far Far Away' - already a monster hit as a single for SLADE bringing them a silver disc within two weeks of release. 'This Girl' - in the film there is another group, Roy Priest and the Undertakers, and they play this number - though in FLAME the lyrics differ from those in the album. 'Lay it Down' - used in the film as the background prior to the beating up scene. 'Heaven Knows' - a picked - guitar intro to this easy tempo song. 'Standing on the Corner' - strictly boot-music, heavy instrumental backing laid down for Noddy Holder's cast-iron-lung delivery.  
Once again, SLADE have achieved a Silver and Gold award for this album even before release date.  
BOOK - The book FLAME has been written by John Pidgeon, and is published by Panther in January, available from all Bookshops at 50p. There has never been a book which captured the sweaty ambience of the Rock business so authentically. Seedy clubs, dishonest managers, catastrophic fatigue, the painful clash of personalities and the cynical manipulation of the media. It's all here in a hard-hitting novel by an author uniquely well placed to tell it like it is.  
I hope you all had a happy Christmas and I take this opportunity of wishing you a Happy New Year. That's not only from me but the boys as well. 
NEW SINGLE 
'How Does It Feel', taken from the film, is Slade's latest single, released February 7th. The 'B' side is 'So Far So Good' which in the film is Flame's first hit single. Once again, the single is wrapped in a colourful sleeve. I personally think that 'How Does It Feel' is the best song from the film, even better than 'Far Far Away'. The album Slade in Flame sales are tremendous, and have just surpassed the 200,000 mark in just over one month. By all accounts it looks as though it will be Slade's biggest selling album. 
Still available are the Slade In Flame T. shirts in small, medium and large sizes at £1.20p including p & p and VAT. The Slade In Flame film viewers have gone exceedingly well and we are having to order another batch. These contain 20 colour frames of scenes taken from the movie. These are obtainable from me for 50p plus 5p p&p. The Slade in Flame poster magazine is only available from newsagents. If you have difficulty in obtaining a copy please inform your newsagent that it is distributed by New English Library."




Slade Fan Club Newsletter

February/March 1975


SLADE IN FLAME
"The following is a breakdown of release dates for the film. Please check it with your local paper or the cinema.
January 19th - Tyne Tees
January 19th - Yorkshire
February 16th - London North & South
February 23rd - Southern
February 23rd - Westward
February 23rd - Anglia
March 16th - Lancashire
March 16th - Scotland

The London premier is at the Metropole Victoria on the 13th February. Slade will be making promotional appearances in most of the areas."


Even more amazing was the invite to the London Première at The Metropole Theatre in Victoria. I got Jim Lea's autograph, Rob, Ray & Les Gray from Mud and the incredible Suzi Quatro. I thought I'd died and gone to heaven, especially when I stuck my face in Diana Dors cleavage and she still signed. The surprise was that her husband Alan Lake did too, I'm surprised he didn't lump me?

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I remember turning up in Victoria and there were loads of people crowding the street. A spotlight lighting up the front of the theatre and we guessed that they were waiting for the group. As it turned out, this fire engine turned up driven by a fireman with a big, bushy bright ginger beard.
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WHAT THE PAPERS SAY ABOUT 'SLADE IN FLAME'
"'SOUNDS' - This film suffers less than most from the obvious imbalance of having musicians in the lead roles, surrounded by experienced actors. Slade play themselves at least as well as they usually do, and in Noddy Holder in particular, they have a natural scene-stealer. Flame' is basically the same old story, told more accurately and wittingly.
Unlike 'Stardust', it has strong music and stage image at the centre of it all, proving that Slade haven't lost their touch, and the music shines through.

Rob Mackie.
'DISC' - Before the film has been released, the album has already sold over 170,000 copies. The book is a different story again. To produce its paper, 550 trees were cut down which weighed in at just under 30 tons. A quarter of a million copies have already been printed. It is the largest print that the book publishers, Panther, have done for the home market alone, in their entire history. I found the film interesting, purely to judge Slade's acting talents Noddy came out best He obviously found the whole thing a cinch, and was surprisingly natural. Don was good too. Jim was a runner- up, and gave a fair performance.
A film that Slade fans can't miss, a film that will make very interesting viewing if you like to see a handful of the scenes that go behind the making of a pop star. Judge for yourself!"
Lynne Thirkettle. 



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School Leaver: (Part 2)

UK, June 1975

 School Leaver Volume 6, Number 6 1974-5
(A Dominion Press Publication)

DAVE HILL - Slade guitarist and star of "Midsummer Night's Dream"! If you think that's an unlikely story, let Dave himself guarantee it for you. He told me about it when I met him in Slade's dressing room between rehearsals for "Top of the Pops". Admittedly the play wasn't a lavish all-star West End production and it all happened some years ago... in fact it happened when Dave was at school, and he joined in the school play. It was his first stage appearance - the beginnings of Slade? 

How did he feel about it? I asked. 
"I got a real buzz from it, because it WAS the first time I had the chance to get up on stage. After that there were other little points when I got up, like at the Saturday morning cinema, in between the old 'Flash Gordon' movies. I was on scratch-board  because I couldn't play an instrument at the time. 
But the school play came first and it was the first time a teacher had actually taken an interest in me when I was working on this part. I think there's always at least one good teacher in a school who takes that kind of interest, and it doesn't half make you feel good. It makes you feel important for that bit of time. I really think the teacher's interest is important. 
Apart from the play I never had anything to show as far as the regular school format was concerned. My typical reports were 'Very Poor', 'Could Do Better, 'Could concentrate More', or that kind of thing. But if a teacher buttoned down and worked with us and we worked on getting something out of school, then things could happen." 
Dave still finds that philosophy of enthusiasm useful with Slade: 
"In our music we've got to work on it all the time," he said; "we've got to show an interest in it, otherwise it just falls flat." 
Dave has good memories of the school play, but it emerged that it wasn't every day he was happy with his school, and his teachers' interest in him .. 
"The heavy top-rate teachers only taught the grammar kids, and our class only ever saw them if our teacher fell ill. Then one of the tough teachers would come in: they would just stick something on the blackboard and say, 'we'll do this today'. They didn't have much time for us." 
Dave also had problems with the other figures of authority in the school-the prefects. 
"I used to hate prefects", he said. But he made an effort to get involved in the school sports, not very successfully as it turned out . . . 
"We had houses (I don't know if schools still have them, do they?). I tried to force my way into the sports once just because I wanted to have a go. What I did was to run the mile, because that wasn’t very popular ... the clever kids just did the sprinting jobs! My only chance was the mile, so , gave it a go. I lost! But I had a bash at it." 
He laughed at the thought of that long mile. 
"I must admit we had a lot of laughs at school, mainly by tomfoolery But I'm not proud of missing out on a good education. I don't think school harmed me in any way." 
I then asked Dave if he had ever used his skill as a miler to run in the opposite direction to school... 
"I admit I knocked the odd day off here and there, but I never made a point of knocking a whole week off. Some of the kids' used to . . . I suppose it's boredom. But you can't really avoid school; it's the law. I sometimes wonder what it would be like if we didn't have to go to school." 
Dave doesn't think school has changed much since his days-"Still the same rules" - but he knows that things can never stand still.
"I sometimes see these old films on TV about school life as it used to be," he told me, "with the collars and ties and the uniform bit. Things have certainly changed since those days, but actually in a way you've got to admire the old style. There's something very English about it, and you think 'School uniform really looks ace!' But you can't really relate to it nowadays, I'm afraid." 
He went on to talk about the way he noticed other things changing around him. He remembered the time when he first went house hunting and realized that architecture moves with' the times, and not always for the good! 
"You look at an old house and think: 'Well doesn't that look great. Why aren't houses made like that nowadays?' But the fact is, they aren't and they won't ever be again. It isn't ever going to be like it used to be. It's like the old, old story of your parents saying: 'It wasn't like that in my day. We made our own entertainment them - you lot have got it lucky.' I remember my dad telling me that, and in some aspects he's right. Not everything your parents tell you is rubbish, you know, like the old line about getting married too young. Your parents always tell you you're missing life if you get married too young, and there can be a lot of truth in that. A lot of kids get hooked and miss out on going anywhere." 
It's a mistake Dave himself didn't make, and he's taken full advantage of his chance to see the world.
"I've been all around the world, and to Australia twice. I probably know more than I would ever have learned if I'd been tied down to an office job. I think there's no better thing than experience... just living and seeing a bit of the world." 
Dave values experience far more highly than money. 
"Money is certainly not the answer to your problems. I realised that when I went to . the States. What sickens me about America sometimes is that they have got too much. The kids just watch television all the time, and it's not doing them any good. America is a good example of over-indulgence. If you have too much done for you, there's nothing left for you to do yourself. You can give kids the best schools, the best uniforms, the best of everything. Parents can give too much ... 
Money is certainly not the answer to any kid making it. I mean none of us in Slade came from rich families. I've had one or two letters from rich kids whose parents want them to take over and run the family business, and the kids are just rebelling against it. I'm glad to see kids like that. When it's all there, it's too easy-it's on a plate and they don't want it. They want something else. A kid wants to make his own point in life . . . he doesn't want his fathers business." 


I asked Dave how he felt about his own parents. 
"I like my parents. My mother has always been in bad health, and she's always had to go out to work. My father lost an eye while he was working on a car, which put him out of work for a while, But my dad was a worker. He's great - not lazy!
I like to go round and see them every so often. If I haven't been round for a while he rings up and say, 'You don't come and see us any more - Bighead!' He doesn't mean it!
But I think the worst thing is if kids let their parents bury themselves, because parents grow old very quickly after a certain age if they are not taken an interest in. Having a young person around the house every so often does them good. Granny loves having the grandchildren around because it keeps her young. It's horrible when kids just disown their parents and let them die." 
After that rather harsh criticism of some kids' behaviour, Dave spoke of the other side of the coin, parents who give their kids a bad time... 
"A lot of kids have a really rough time from their parents ... but they are still you parents. You only have one old man and one mother however you look at it! It's best to disregard how horrible they have been to you ... at least you'd get a kick out of doing something for them'" 
Despite Dave's fondness for his parents, he did have parent problems when it came to working in a band ...
"My dad was a bit unsure of me going into the group thing. Obviously you can't be sure of being a success. But in the end he left it up to me. He said I should try it if I really wanted to, and he stood behind me when I made the decision. When I started in the band I wasn't making any money, so he said I could live at home for free whilst I gave it a try. Mum wasn't very pleased about it. But looking back it was good that mum was against it, because it gives you that bit more incentive and determination to succeed." 
Incentive is another thing Dave has some interesting ideas about, particularly in work... 
"It must be terrible for the guy who's got to be a nine-to-fiver and is hating every minute of it, just working because he's got to make money. I'd rather earn less to do something I really liked. Whatever you do in life you should take a pride In it if you can and try to get a kick cut of it. I'm not at all politically minded - I'm afraid that's where I get thick - but I did have a few ideas about people buying shares in their own companies and actually becoming involved to the company. There was a firm up North somewhere making pottery I think-and they were going bust and selling out to a foreign firm. So the people who worked there actually put their own money into the firm and became shareholders; they became a part of the firm, I thought that was fantastic. 
There's a sequence in the film "Saturday Night and Sunday Morning" about boredom on the factory floor. A guy was going 'One... Two... Oh, why bother, I won't get paid any extra.' No matter how hard he worked, he wouldn't get anything out of it, why should he bother?" 


Does Dave think ambition is a real incentive?
"You need ambitious people who strive for things. But not everyone even wants to go high and own a big house and a big car. Our parents and relations are quite happy in a normal environment. They don't want anything big; they do a normal job, go down the local and get along with it. Then you've got the ambitious ones, and you need both. That's what makes it all move. Some people need money, and some don't, but as I say, money isn't going to solve your problems." 
In Dave's philosophy, money comes very low down the list. Money's not worth worrying about, he thinks, and worry itself is one of his pet hates. 
"Life shouldn't be a worry to anyone. I used to worry a lot about my future, but that was because I didn't know what the hell I wanted to do. Then I got involved in the group thing. I thought we might get on, but I never thought about earning as much money as this out of it. But I can see now what I don't need around me, and if it all fell through tomorrow I know that I could be happy. I could go on a farm. I'm not worried any more. 
It's a fantastic attitude. working hard and knowing you are enjoying what you are doing. I think kids at school should go for a job that they really want to do and that they know they will enjoy doing, and try to prove themselves, It may not appear to be working out. but 'Opportunity Knocks' is just around the corner, usually at the point when lots of Kids give up. You've just got to have the courage of your convictions, whatever type of job it is. Take a pride in it, get involved in it and then you can really get something out of it!" 


You can write to Dave Hill c/o
"School Leaver".
Grand Buildings.
Trafalgar Square.
London
WC2N 5Hl
Download the pdf here.


My thanks to Langdon Comprehensive School careers dept. for making this magazine available to us pupils back in 1974. I certainly would not have looked at it without having it thrust in my face?


School Leaver: (Part 1)

UK, May 1975

School Leaver Volume 6, Number 5 1974-5
(A Dominion Press Publication)

SCHOOL
LEAVER
ASSIGNMENT
DAVE HILL
EXCLUSIVE


A Miranda Ward Interview

Head Puts The Block On Slade!?

HELP!
If a Junior School Headmistress had had her way there might never have been a SLADE!
"I wanted to play recorder at school and I remember Mum writing in and asking if I could. I didn't really like the recorder but it was a way of learning about music - even learning how to read it! But she (the Head) put the block on that right away - 'No chance!' she said!!"
School Leaver had managed to catch up with the busy lead guitarist of Slade - DAVE HILL - whilst he was on one of his flying visits to do a "Top Of The Pops" at BBC TV's Television Centre in White City.
"There was no chance either at Secondary School of saying 'I would like to learn to play guitar'; that wasn't even accepted as an instrument in the orchestra! It was always the violin or something like that. I didn't really fancy the violin anyway - I had a go once, it was an awful sound in my ear - Screeching - it reminded me of the dentist - you know, those awful drills!! 
And I never did learn to play the recorder." He laughed. "However Dad was a fanatic on music and he always used to have 'Friday Night Is Music Night' on the radio. We never had a telly, so it was a case of having to listen to that or nothing else. 
I've always loved orchestrated pieces - it's so opposite to what we do. I think I would have loved to play concert piano, or been a conductor..." and he stood up to demonstrate... "In the front room with your ruler, turning the radiogram full up... heavy orchestrated pieces - pretending to be the conductor and getting into it that way. I always dreamt of playing a conductor in a movie - like Leopold Stokowsky in Fantasia - with the wild hair swinging out all over the place!"
With that demonstration over, Dave calmed down and began thinking about the old days...
"My mates from school seem so sort of distant now, married and kids, there seems a hell of a lot of difference between them and me. It's like a brick wall between us. If you try to buy one of them a drink it's 'Flash Git!' But dare you ignore any of them - it's like you get slagged blind.
The thing is with this business that for all you get, for all you lose - and you lose an awful lot if you're going to be a personality in music, if you are going to be known. There's a lot of things you can't do any more. Like taking a walk down the local road or going to the cinema."

He started reminiscing...
"I used to do an awful lot of things, go to the bowling alley or have a game of table tennis. But now its a case of saying 'I'll buy a table tennis set and have it installed in my home'. But it loses something because you can't mix with people . . ."
But Dave hasn't even tried to cut himself off from his roots; he hasn't followed the trend of moving to London...
"I personally like to live up in the Midlands. I know it so well and there are still a few people I can actually see. I haven't got to live up to anything with them. There are one or two friends who would do things for me - like if there was ever a time when I couldn't afford to pay or something they would turn a hand to help me. Which I could never rely on from the pat-on-the-back-set down here in London! 
The only reason I'd live in London is because of convenience but otherwise there's too many people saying 'Great!' 'Great!'- it's always 'Great!'. People I know up North are more likely to give you a straight opinion on what you're doing. Down here you don't get straight answers... and we can do without the flash big-heads in the business."
Dave certainly does not appear to have had his head turned by success - but then stardom came the hard way for SLADE...
"A lot of people do seem to think that in this business it is an overnight success. Our film 'Flame' should open up a lot of eyes. It shows the pressures and the short cut to success. Like the guy who comes along and says 'I'll make you a star. But I get 90% of your money!' 
I must admit that when I was 14 or 15, if someone had come along and said 'I'll get you a hit record and you'll be on TV and I'll give you £10 a week,' I would probably have said 'Yes'. To me, the thought of being on TV would be the only thing I could think of. I know there are a lot of groups in this business who have been through the 'Flame' thing. A lot of people at the premiere were saying: 'It doesn't half look like me...' 'It reminds me of what I've been through..."

A relaxed Dave Hill talks to SL's Miranda.

I then asked him if it helped having an experienced manager. (Chas Chandler & John Steele - Slade's management - used to play with that successful band of the late 60's, The Animals, along with Eric Burdon and Alan Price.)
"Yes. They've been through it and can say things like 'Watch out here!' or 'Look out there!' They try to stop the dodgy things that happened to them, happening to us. That's experience!!  
I used to rebel against teachers and grown-ups when they said 'Don't do this', but you can benefit from someone else's experience when you are young. You don't listen to everything that's told you - you've got to do a lot of things for yourself. If someone came along and said 'Look here's a guy... whatever he tells you to do, DO!' it wouldn't be you to agree. You've got to learn, and the only real way you can think for yourself is by listening, taking advice and going through some of the experiences.  
"In the group we all discuss things, throw ideas round, and Chas is there for his experience to advise us. But our individual selves have to come through. And that's what it's all about-Chas always lets us be ourselves and that's always the best thing." 
He then went on to reflect on the hard times before they were able to benefit from Chas' worldly experience ... 
"It couldn't have been any worse than when we were sent out to the Bahamas. It sounds fantastic, but we were stuck out there for three and a half months-away from home (and we had never been away from home before!) and we weren't even getting paid… the kids around were having to help us out!!  
We had to get to know each other really well in that time, that we thought 'Well, nothing can be worse than this'. 
I think most successful people that I know have certainly had to go through all the muck before making it. It's really the grounding-that's really what it's all about. If you are not suffering, if you aren't going through all that, then I can't see that the end thing can be any achievement. You've got to start with a spade and you've got to work up and then you finish with a tractor. And I think you can appreciate your tractor more because you've started that way and had to work for it . . ." 
And Dave has certainly got himself a good tractor-thinly disguised as a gold Silver Cloud Rolls Royce!!!
"And I've got this incredible registration number - YOB 1. Yobby! I've had it for years as well. I bought this old car and it had it on the back and I didn't even realize. Then this bloke comes out of this pub and goes "say! I say! Yobby!'. We got called 'Super Yobs' in the end! I thought it was great when I got the Rolls, sticking YOS 1 on the back of it." 
And he chuckled gleefully!


Dave on stage with Slade. Photo: Julian Ruthven.

Slade's success has brought the usual luxuries of pop stardom-the flash car, the large house… But, with all of this comes the inevitable large tax bill . . .
"Tax is a drag. I mean we're taxed so much that it's not worth working - but f just go along with it now. It's like if I want something I'll probably just go out and buy it, and if I can't afford to pay for it-so what?!" 


Miranda watches as Slade rehearse for 'Top of the Pops'. 
Photo: Julian Ruthven.

I went on to ask him if he wouldn't think of leaving the country for a year to clear up tax problems as many other musicians have done (members of the Stones, Moody Blues, Jethro Tull, etc.).
"No! I wouldn't consider leaving England-even for that ... it always appears greener on the other side, but it ain't. And like England may appear to be having a rough deal at the moment, but it's no better anywhere else, and I've been everywhere else! I don't care if England goes down-I'd still go down with it, coz I like England! I just like the people.  
I think that's why we associate with the fans so much. We can relate to them and they can relate to us. We can talk to anyone who comes up and talks to us… 
The trouble is we don't get much chance to really sit down and talk with them . . " 
And that gave
Dave
his brain-wave.
"Hey! Maybe the people who are reading this don't agree with what I'm saying . . .  
Maybe they've got comments to make ...  
Maybe they want to ask me questions ...  
'I'm just talking to you, and I've no idea what they think or how they are reacting. Can you ask them to write in and then I can see from their letters how they feel. I'll do my best to answer them ... that would be great."
OK. Over to you then! How about it? 
This is your chance to put Dave Hill on the firing line. 
You can write to him, care of: 

School Leaver, 
Dominion Press, 
Grand Buildings, 
Trafalgar Square, 
London 
WC2N SHJ. 


NEXT MONTH

Dave Hill talks about
life at school
parent problems
and working for a living.

'School Leaver' thank the BBC and 'Top Of the Pop,' for their kind co·operation in the preparation of this feature. 



My thanks to Langdon Comprehensive School careers dept. for making this magazine available to us pupils back in 1974. I certainly would not have looked at it without having it thrust in my face?