Winterland Arena, San Francisco

San Francisco, August 4th, 1975

The Winterland Ballroom, often referred to as Winterland Arena, was an old ice skating rink and 5,400 seat music venue in San Francisco, California. Located at the corner of Post Street and Steiner Street, it was built in 1928 for the then astronomical cost of $1 million. Opening on June 29, 1928, it was originally known as the "New Dreamland Auditorium." Sometime in the late 1930s, the name was changed to Winterland and converted to exclusive use as a music venue in 1971 by rock promoter Bill Graham.

Bill Graham began to occasionally rent the venue for larger concerts that his nearby Fillmore Auditorium could not properly accommodate. After closing his New York City venue, Fillmore East, in 1971, he began to hold regular weekend shows at Winterland. Acts that played there, included Bruce Springsteen, The Rolling Stones, Queen, Cream, The Doors, Jimi Hendrix, Led Zeppelin, Lynyrd Skynyrd, Styx, Allman Brothers Band, The Grateful Dead, Jefferson Airplane, Humble Pie, Deep Purple and Slade, the latter (in this instance) to promote their album, Flame, although they had previously appeared there on 5th June1973 being broadcast on the legendary 'King Biscuit Flower Hour'. A great number of the best-known rock acts from the 1960s and 1970s played Winterland or played two blocks away across Geary Boulevard at the original Fillmore Auditorium. Frampton Comes Alive! (the 4th best-selling live album ever) was recorded, in part, at Winterland.

During it's final month of existence as a live venue, shows were booked nearly every night. Winterland closed on New Years 1978/79 with a concert by the Grateful Dead, New Riders of the Purple Sage, and The Blues Brothers. The show lasted for over eight hours, with the Grateful Dead's performance (documented on DVD and CD as The Closing of Winterland) lasting nearly six hours itself. The final show was simulcast on radio station KSAN-FM and also broadcast live on the local PBS TV station KQED. Winterland was eventually torn down in 1985, and was replaced by apartments.

Although Slade saw their biggest commercial success between 1972 and 1974, this show, culled from the archives of promoter Bill Graham, shows they were still red-hot as a live act in 1975.

Opening with 'Them Kinda Monkeys Can't Swing', they move next into 'Bangin' Man', a song that described life as a rock star in the mid-1970's. Another highlight is an extended version of "Let The Good Times Roll," which moves into "Get Down and Get With It." There are more big hits thrown in for good measure, making this a complete Slade show.

Slade embarked upon a five-year run of constant chart success in their homeland and were huge in Europe and Australia. Despite many attempts at breaking the U.S. market, they never really caught on with the record-buying public but were influential nonetheless with Gene Simmons and Paul Stanley, who witnessed them at New York’s Academy. Simmons has recently admitted that without Slade, there would have been no KISS.

It would take America another decade before Slade received their first chart hits with the early-‘80s songs, My Oh My and Run Runaway. This success followed the publicity they received after Quiet Riot had scored successive #1 U.S. hits with covers of two of Slade's biggest hits Cum On Feel The Noize and Mama Weer All Crazee Now, the latter which can be heard here as the show's closer.

This show was recorded in the Fall of 1975 while Slade was touring to promote the soundtrack LP from their feature film Flame. It had been released to critical acclaim in their homeland and many of the songs here are from that album, including 'How Does It Feel?', widely regarded as the band’s finest moment. The classic hits are represented too, including 'Gudbye T’Jane', 'Far Far Away' and 'Mama Weer All Crazee Now', as well as long-time stage favorite 'Just Want A Little Bit', which features the blistering bass of virtuoso Jimmy Lea.

The band were second on the bill between the Frankie Miller Band, and headliners Ten Years After, and not Robin Trower as has been erroneously recorded previously. The gig was filmed by Graham's organisation to be used in between acts at his various venues that he owned throughout the States. It wasn't the easiest of crowds to get going, the band were clearly not on top form nor enjoying the experience of being heckled and spat at.

• Them Kinda Monkees Can't Swing
• The Bangin' Man
• Gudbuy T'Jane
• Thanks For The Memory
• How Does It Feel
• Just Want A Little Bit
• Let The Good Times Roll
• Get Down & Get With It
• Mama Weer All Crazee Now

The Download Link is here: Download
Filename: Winterland 1975.rar Filesize: 15.01 MB

Thanks to Hubert "Yes, you can use my photos" Tung for the photographs and memories and Steve Marsh for the information. The audio is a Scott Samuels 're-touch' for which I am, once again, very grateful for.

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The Gunnell Brothers

Rik Gunnell: seen here with Georgie Fame

Richard and John Gunnell were in the music promotion business. Rik & Johnny were well known on the sixties music scene and are often referred to in books and documentaries about 60's Swinging London. Rik learned his craft the hard way, from the ground up. He was heavily involved in the evolution of the Jazz scene in the 1950's, combining modern and traditional scenes and opening his own club.

Even in 1966, when Georgie Fame, his artist, was topping the charts for the second time, Gunnell could still be found outside the Flamingo, in London's Wardour Street, playing the tout, with a treble whisky-and-coke in his hand. In the club's basement, black and white people mingled to an extent unknown elsewhere in London in the 1960s. Judy Garland dropped in to the club's AllNighter, and Christine Keeler played off her lovers there.

A veritable who's who of British rock and R&B appeared at the Flamingo not to mention a breathtaking list of American artists, including Stevie Wonder, Bill Haley, Patti LaBelle, John Lee Hooker and Jerry Lee Lewis.

The original showman, Gunnell conducted business in a rough-and-ready manner. Generous and foolhardy, he lost a chance to manage the Rolling Stones, turned his back on The Kinks - and oversaw one of the most vital periods in London's musical and social history.

He worked as a book-keeper at Smithfield market, spending his nights as a bouncer at Studio 51, a jazz club where the new bebop was played. He later spent time in Paris where he had taken part in fights in order to eat. Such behaviour set the pattern for a life on the edge in which good music, good times and booze coexisted with fantasy and lost opportunities.

It was when he met Tony Harris, manager at Leicester Square's Mapleton Hotel, that Gunnell successfully harnessed the potential audience for jazz. In 1955, with American fashion and style all the rage, the venue became an All-Nighter called Club Americana. Ten shillings admittance bought jazz and a three-course meal - tomato soup, chicken'n'chips and ice cream - and Rik introduced his younger brother Johnny Gunnell as disc jockey and MC.

Sam Kruger and his son Jeff had started the Flamingo there, but Gunnell pushed them out to open extra nights as Club M. Gunnell had become a serial entrepreneur. His other ventures included the Star in Wardour Street and Club Basic in Charing Cross Road.

In 1958, Harris and Gunnell made peace with The Krugers and launched the Friday & Saturday All-Nighter, with Johnny Gunnell booking the bands. The music was a mixture, but while musicians such as Brian Auger, Jack Bruce and Ginger Baker played modern jazz, by the end of 1961 'The Twist' was in vogue. In 1962, they auditioned a young Georgie Fame, and the rest is history. The Blue Flames became the Flamingo's most popular draw.

"Georgie Fame and Zoot Money were handled by the late Rik Gunnell. Rik had the look of the gangster about him (to my 18-year-old eyes anyway!)...

....Flamingo club Friday All-Nighter sessions, in particular, were sensational. Lots of illicit booze and drugs plus interesting people like Christine Keeler and Mandy Rice-Davies."
Greg Tesser: Publicity

Meanwhile, The Gunnell Brothers formed a management and booking agency at 47 Gerrard Street in partnership with Fame's saxophonist, Mick Eve. There they handled Chris Farlowe, John Mayall, Geno Washington, Zoot Money, PJ Proby and others.

"We stupidly ducked out of a Flamingo allnighter Xmas 1966, leaving Rik Gunnell in the lurch. Those of you who remember Rik & Johnny Gunnell will know what a bad idea that was. Shortly afterwards, we were shipped off to Milan."
Tim Large, Dave Anthony’s Moods

In January 1966 the brothers opened The Ramjam Club in Brixton High Road, where Otis Redding made his British début. Both the Animals and The Who played the club as favours to the Gunnells. When the Flamingo Club closed in 1967, Rik took over the Bag O'Nails in Kingly Street. The club was to become one of the most in-demand nightspots in Swinging London, and was popular with all four Beatles.

“My dad played blues all-nighters in the early 60s, at Wardour Street’s Flamingo Club. The owners, Rik and Johnny Gunnell, paid off the police every week so they could stay open until 6am, refilling regulars’ colas with illicit whiskey from under the bar.

When Georgie Fame had a hit with ‘Yeh Yeh’, he tried to switch management. Rick took the keys to Georgie’s brand new Jaguar, and rammed its repeatedly into the pillars of an underground car park. He handed Georgie the keys back and said,

"If you leave me I’ll do the same to your fingers and you’ll never play the piano again!"

One night, some bruiser got drunk and caused trouble, so Rik threw him out of the club and gave him a hiding. At closing time, hoods grabbed Rik and bundled him, blindfold, into a car. They drove him to a deserted warehouse where 'The Krays' informed him that the drunkard was one of their lads. Sensing he was in trouble, Rik explained that the lout had been out of order. The Krays apologised and set Rik free."
Gaz Mayall: 2007

In the summer of 1968 the brothers promoted a two-day festival at Woburn Abbey, with head-liners including Jimi Hendrix, Donovan and Ten Years After. Gunnell awoke early in the morning to find the festival site ablaze. Fans, who had slept in the grounds overnight, had started the blaze to keep warm. The damage cost Gunnell nearly £20,000. At the year's end the Gunnells sold both the Bag O'Nails and their management firm to music impresario Robert Stigwood, and worked in association with him. Rik moved to New York to open an office for Stigwood there, and then later, on to Los Angeles for another.

In 1969 Gunnell's fiancée, Jean Lincoln, then one of Britain's youngest show business agents, was found dead in an apartment in Central Park, New York. At the 1970 Isle Of Wight Festival (they were the promoters), Rik was moved to tears by the sight of half a million people holding hands while The Great Awakening play a haunting rendition of Amazing Grace. Soon after he quit the business for good, spending much of the '70s off the radar.

Meanwhile, Johnny Gunnell was procuring the agency interests of a group of young hopefuls from Wolverhampton. Although the circumstances are uncertain, John Gunnell signed up Ambrose Slade and introduced them to Chas Chandler. He was therefore instrumental in adding the final ingredient neccessary to make it all work.

New Musical Express: October 18th 1969

In 1972 things fell apart, and Rik Gunnell vanished for six years. He started a new life away from the music business in Austria. John does not seem to appear anywhere after this time.

Rik died in Austria on 3rd June 2007 leaving his (third) wife, Edith and their two daughters Nina and Romy.

Extracts from Rik Gunnell's obituary in The Guardian. Written by Val Wilmer

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