Showing posts with label School Leaver. Show all posts
Showing posts with label School Leaver. Show all posts

School Leaver: (Part 2)

UK, June 1975

 School Leaver Volume 6, Number 6 1974-5
(A Dominion Press Publication)

DAVE HILL - Slade guitarist and star of "Midsummer Night's Dream"! If you think that's an unlikely story, let Dave himself guarantee it for you. He told me about it when I met him in Slade's dressing room between rehearsals for "Top of the Pops". Admittedly the play wasn't a lavish all-star West End production and it all happened some years ago... in fact it happened when Dave was at school, and he joined in the school play. It was his first stage appearance - the beginnings of Slade? 

How did he feel about it? I asked. 
"I got a real buzz from it, because it WAS the first time I had the chance to get up on stage. After that there were other little points when I got up, like at the Saturday morning cinema, in between the old 'Flash Gordon' movies. I was on scratch-board  because I couldn't play an instrument at the time. 
But the school play came first and it was the first time a teacher had actually taken an interest in me when I was working on this part. I think there's always at least one good teacher in a school who takes that kind of interest, and it doesn't half make you feel good. It makes you feel important for that bit of time. I really think the teacher's interest is important. 
Apart from the play I never had anything to show as far as the regular school format was concerned. My typical reports were 'Very Poor', 'Could Do Better, 'Could concentrate More', or that kind of thing. But if a teacher buttoned down and worked with us and we worked on getting something out of school, then things could happen." 
Dave still finds that philosophy of enthusiasm useful with Slade: 
"In our music we've got to work on it all the time," he said; "we've got to show an interest in it, otherwise it just falls flat." 
Dave has good memories of the school play, but it emerged that it wasn't every day he was happy with his school, and his teachers' interest in him .. 
"The heavy top-rate teachers only taught the grammar kids, and our class only ever saw them if our teacher fell ill. Then one of the tough teachers would come in: they would just stick something on the blackboard and say, 'we'll do this today'. They didn't have much time for us." 
Dave also had problems with the other figures of authority in the school-the prefects. 
"I used to hate prefects", he said. But he made an effort to get involved in the school sports, not very successfully as it turned out . . . 
"We had houses (I don't know if schools still have them, do they?). I tried to force my way into the sports once just because I wanted to have a go. What I did was to run the mile, because that wasn’t very popular ... the clever kids just did the sprinting jobs! My only chance was the mile, so , gave it a go. I lost! But I had a bash at it." 
He laughed at the thought of that long mile. 
"I must admit we had a lot of laughs at school, mainly by tomfoolery But I'm not proud of missing out on a good education. I don't think school harmed me in any way." 
I then asked Dave if he had ever used his skill as a miler to run in the opposite direction to school... 
"I admit I knocked the odd day off here and there, but I never made a point of knocking a whole week off. Some of the kids' used to . . . I suppose it's boredom. But you can't really avoid school; it's the law. I sometimes wonder what it would be like if we didn't have to go to school." 
Dave doesn't think school has changed much since his days-"Still the same rules" - but he knows that things can never stand still.
"I sometimes see these old films on TV about school life as it used to be," he told me, "with the collars and ties and the uniform bit. Things have certainly changed since those days, but actually in a way you've got to admire the old style. There's something very English about it, and you think 'School uniform really looks ace!' But you can't really relate to it nowadays, I'm afraid." 
He went on to talk about the way he noticed other things changing around him. He remembered the time when he first went house hunting and realized that architecture moves with' the times, and not always for the good! 
"You look at an old house and think: 'Well doesn't that look great. Why aren't houses made like that nowadays?' But the fact is, they aren't and they won't ever be again. It isn't ever going to be like it used to be. It's like the old, old story of your parents saying: 'It wasn't like that in my day. We made our own entertainment them - you lot have got it lucky.' I remember my dad telling me that, and in some aspects he's right. Not everything your parents tell you is rubbish, you know, like the old line about getting married too young. Your parents always tell you you're missing life if you get married too young, and there can be a lot of truth in that. A lot of kids get hooked and miss out on going anywhere." 
It's a mistake Dave himself didn't make, and he's taken full advantage of his chance to see the world.
"I've been all around the world, and to Australia twice. I probably know more than I would ever have learned if I'd been tied down to an office job. I think there's no better thing than experience... just living and seeing a bit of the world." 
Dave values experience far more highly than money. 
"Money is certainly not the answer to your problems. I realised that when I went to . the States. What sickens me about America sometimes is that they have got too much. The kids just watch television all the time, and it's not doing them any good. America is a good example of over-indulgence. If you have too much done for you, there's nothing left for you to do yourself. You can give kids the best schools, the best uniforms, the best of everything. Parents can give too much ... 
Money is certainly not the answer to any kid making it. I mean none of us in Slade came from rich families. I've had one or two letters from rich kids whose parents want them to take over and run the family business, and the kids are just rebelling against it. I'm glad to see kids like that. When it's all there, it's too easy-it's on a plate and they don't want it. They want something else. A kid wants to make his own point in life . . . he doesn't want his fathers business." 


I asked Dave how he felt about his own parents. 
"I like my parents. My mother has always been in bad health, and she's always had to go out to work. My father lost an eye while he was working on a car, which put him out of work for a while, But my dad was a worker. He's great - not lazy!
I like to go round and see them every so often. If I haven't been round for a while he rings up and say, 'You don't come and see us any more - Bighead!' He doesn't mean it!
But I think the worst thing is if kids let their parents bury themselves, because parents grow old very quickly after a certain age if they are not taken an interest in. Having a young person around the house every so often does them good. Granny loves having the grandchildren around because it keeps her young. It's horrible when kids just disown their parents and let them die." 
After that rather harsh criticism of some kids' behaviour, Dave spoke of the other side of the coin, parents who give their kids a bad time... 
"A lot of kids have a really rough time from their parents ... but they are still you parents. You only have one old man and one mother however you look at it! It's best to disregard how horrible they have been to you ... at least you'd get a kick out of doing something for them'" 
Despite Dave's fondness for his parents, he did have parent problems when it came to working in a band ...
"My dad was a bit unsure of me going into the group thing. Obviously you can't be sure of being a success. But in the end he left it up to me. He said I should try it if I really wanted to, and he stood behind me when I made the decision. When I started in the band I wasn't making any money, so he said I could live at home for free whilst I gave it a try. Mum wasn't very pleased about it. But looking back it was good that mum was against it, because it gives you that bit more incentive and determination to succeed." 
Incentive is another thing Dave has some interesting ideas about, particularly in work... 
"It must be terrible for the guy who's got to be a nine-to-fiver and is hating every minute of it, just working because he's got to make money. I'd rather earn less to do something I really liked. Whatever you do in life you should take a pride In it if you can and try to get a kick cut of it. I'm not at all politically minded - I'm afraid that's where I get thick - but I did have a few ideas about people buying shares in their own companies and actually becoming involved to the company. There was a firm up North somewhere making pottery I think-and they were going bust and selling out to a foreign firm. So the people who worked there actually put their own money into the firm and became shareholders; they became a part of the firm, I thought that was fantastic. 
There's a sequence in the film "Saturday Night and Sunday Morning" about boredom on the factory floor. A guy was going 'One... Two... Oh, why bother, I won't get paid any extra.' No matter how hard he worked, he wouldn't get anything out of it, why should he bother?" 


Does Dave think ambition is a real incentive?
"You need ambitious people who strive for things. But not everyone even wants to go high and own a big house and a big car. Our parents and relations are quite happy in a normal environment. They don't want anything big; they do a normal job, go down the local and get along with it. Then you've got the ambitious ones, and you need both. That's what makes it all move. Some people need money, and some don't, but as I say, money isn't going to solve your problems." 
In Dave's philosophy, money comes very low down the list. Money's not worth worrying about, he thinks, and worry itself is one of his pet hates. 
"Life shouldn't be a worry to anyone. I used to worry a lot about my future, but that was because I didn't know what the hell I wanted to do. Then I got involved in the group thing. I thought we might get on, but I never thought about earning as much money as this out of it. But I can see now what I don't need around me, and if it all fell through tomorrow I know that I could be happy. I could go on a farm. I'm not worried any more. 
It's a fantastic attitude. working hard and knowing you are enjoying what you are doing. I think kids at school should go for a job that they really want to do and that they know they will enjoy doing, and try to prove themselves, It may not appear to be working out. but 'Opportunity Knocks' is just around the corner, usually at the point when lots of Kids give up. You've just got to have the courage of your convictions, whatever type of job it is. Take a pride in it, get involved in it and then you can really get something out of it!" 


You can write to Dave Hill c/o
"School Leaver".
Grand Buildings.
Trafalgar Square.
London
WC2N 5Hl
Download the pdf here.


My thanks to Langdon Comprehensive School careers dept. for making this magazine available to us pupils back in 1974. I certainly would not have looked at it without having it thrust in my face?


School Leaver: (Part 1)

UK, May 1975

School Leaver Volume 6, Number 5 1974-5
(A Dominion Press Publication)

SCHOOL
LEAVER
ASSIGNMENT
DAVE HILL
EXCLUSIVE


A Miranda Ward Interview

Head Puts The Block On Slade!?

HELP!
If a Junior School Headmistress had had her way there might never have been a SLADE!
"I wanted to play recorder at school and I remember Mum writing in and asking if I could. I didn't really like the recorder but it was a way of learning about music - even learning how to read it! But she (the Head) put the block on that right away - 'No chance!' she said!!"
School Leaver had managed to catch up with the busy lead guitarist of Slade - DAVE HILL - whilst he was on one of his flying visits to do a "Top Of The Pops" at BBC TV's Television Centre in White City.
"There was no chance either at Secondary School of saying 'I would like to learn to play guitar'; that wasn't even accepted as an instrument in the orchestra! It was always the violin or something like that. I didn't really fancy the violin anyway - I had a go once, it was an awful sound in my ear - Screeching - it reminded me of the dentist - you know, those awful drills!! 
And I never did learn to play the recorder." He laughed. "However Dad was a fanatic on music and he always used to have 'Friday Night Is Music Night' on the radio. We never had a telly, so it was a case of having to listen to that or nothing else. 
I've always loved orchestrated pieces - it's so opposite to what we do. I think I would have loved to play concert piano, or been a conductor..." and he stood up to demonstrate... "In the front room with your ruler, turning the radiogram full up... heavy orchestrated pieces - pretending to be the conductor and getting into it that way. I always dreamt of playing a conductor in a movie - like Leopold Stokowsky in Fantasia - with the wild hair swinging out all over the place!"
With that demonstration over, Dave calmed down and began thinking about the old days...
"My mates from school seem so sort of distant now, married and kids, there seems a hell of a lot of difference between them and me. It's like a brick wall between us. If you try to buy one of them a drink it's 'Flash Git!' But dare you ignore any of them - it's like you get slagged blind.
The thing is with this business that for all you get, for all you lose - and you lose an awful lot if you're going to be a personality in music, if you are going to be known. There's a lot of things you can't do any more. Like taking a walk down the local road or going to the cinema."

He started reminiscing...
"I used to do an awful lot of things, go to the bowling alley or have a game of table tennis. But now its a case of saying 'I'll buy a table tennis set and have it installed in my home'. But it loses something because you can't mix with people . . ."
But Dave hasn't even tried to cut himself off from his roots; he hasn't followed the trend of moving to London...
"I personally like to live up in the Midlands. I know it so well and there are still a few people I can actually see. I haven't got to live up to anything with them. There are one or two friends who would do things for me - like if there was ever a time when I couldn't afford to pay or something they would turn a hand to help me. Which I could never rely on from the pat-on-the-back-set down here in London! 
The only reason I'd live in London is because of convenience but otherwise there's too many people saying 'Great!' 'Great!'- it's always 'Great!'. People I know up North are more likely to give you a straight opinion on what you're doing. Down here you don't get straight answers... and we can do without the flash big-heads in the business."
Dave certainly does not appear to have had his head turned by success - but then stardom came the hard way for SLADE...
"A lot of people do seem to think that in this business it is an overnight success. Our film 'Flame' should open up a lot of eyes. It shows the pressures and the short cut to success. Like the guy who comes along and says 'I'll make you a star. But I get 90% of your money!' 
I must admit that when I was 14 or 15, if someone had come along and said 'I'll get you a hit record and you'll be on TV and I'll give you £10 a week,' I would probably have said 'Yes'. To me, the thought of being on TV would be the only thing I could think of. I know there are a lot of groups in this business who have been through the 'Flame' thing. A lot of people at the premiere were saying: 'It doesn't half look like me...' 'It reminds me of what I've been through..."

A relaxed Dave Hill talks to SL's Miranda.

I then asked him if it helped having an experienced manager. (Chas Chandler & John Steele - Slade's management - used to play with that successful band of the late 60's, The Animals, along with Eric Burdon and Alan Price.)
"Yes. They've been through it and can say things like 'Watch out here!' or 'Look out there!' They try to stop the dodgy things that happened to them, happening to us. That's experience!!  
I used to rebel against teachers and grown-ups when they said 'Don't do this', but you can benefit from someone else's experience when you are young. You don't listen to everything that's told you - you've got to do a lot of things for yourself. If someone came along and said 'Look here's a guy... whatever he tells you to do, DO!' it wouldn't be you to agree. You've got to learn, and the only real way you can think for yourself is by listening, taking advice and going through some of the experiences.  
"In the group we all discuss things, throw ideas round, and Chas is there for his experience to advise us. But our individual selves have to come through. And that's what it's all about-Chas always lets us be ourselves and that's always the best thing." 
He then went on to reflect on the hard times before they were able to benefit from Chas' worldly experience ... 
"It couldn't have been any worse than when we were sent out to the Bahamas. It sounds fantastic, but we were stuck out there for three and a half months-away from home (and we had never been away from home before!) and we weren't even getting paid… the kids around were having to help us out!!  
We had to get to know each other really well in that time, that we thought 'Well, nothing can be worse than this'. 
I think most successful people that I know have certainly had to go through all the muck before making it. It's really the grounding-that's really what it's all about. If you are not suffering, if you aren't going through all that, then I can't see that the end thing can be any achievement. You've got to start with a spade and you've got to work up and then you finish with a tractor. And I think you can appreciate your tractor more because you've started that way and had to work for it . . ." 
And Dave has certainly got himself a good tractor-thinly disguised as a gold Silver Cloud Rolls Royce!!!
"And I've got this incredible registration number - YOB 1. Yobby! I've had it for years as well. I bought this old car and it had it on the back and I didn't even realize. Then this bloke comes out of this pub and goes "say! I say! Yobby!'. We got called 'Super Yobs' in the end! I thought it was great when I got the Rolls, sticking YOS 1 on the back of it." 
And he chuckled gleefully!


Dave on stage with Slade. Photo: Julian Ruthven.

Slade's success has brought the usual luxuries of pop stardom-the flash car, the large house… But, with all of this comes the inevitable large tax bill . . .
"Tax is a drag. I mean we're taxed so much that it's not worth working - but f just go along with it now. It's like if I want something I'll probably just go out and buy it, and if I can't afford to pay for it-so what?!" 


Miranda watches as Slade rehearse for 'Top of the Pops'. 
Photo: Julian Ruthven.

I went on to ask him if he wouldn't think of leaving the country for a year to clear up tax problems as many other musicians have done (members of the Stones, Moody Blues, Jethro Tull, etc.).
"No! I wouldn't consider leaving England-even for that ... it always appears greener on the other side, but it ain't. And like England may appear to be having a rough deal at the moment, but it's no better anywhere else, and I've been everywhere else! I don't care if England goes down-I'd still go down with it, coz I like England! I just like the people.  
I think that's why we associate with the fans so much. We can relate to them and they can relate to us. We can talk to anyone who comes up and talks to us… 
The trouble is we don't get much chance to really sit down and talk with them . . " 
And that gave
Dave
his brain-wave.
"Hey! Maybe the people who are reading this don't agree with what I'm saying . . .  
Maybe they've got comments to make ...  
Maybe they want to ask me questions ...  
'I'm just talking to you, and I've no idea what they think or how they are reacting. Can you ask them to write in and then I can see from their letters how they feel. I'll do my best to answer them ... that would be great."
OK. Over to you then! How about it? 
This is your chance to put Dave Hill on the firing line. 
You can write to him, care of: 

School Leaver, 
Dominion Press, 
Grand Buildings, 
Trafalgar Square, 
London 
WC2N SHJ. 


NEXT MONTH

Dave Hill talks about
life at school
parent problems
and working for a living.

'School Leaver' thank the BBC and 'Top Of the Pop,' for their kind co·operation in the preparation of this feature. 



My thanks to Langdon Comprehensive School careers dept. for making this magazine available to us pupils back in 1974. I certainly would not have looked at it without having it thrust in my face?