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The most authentic and accurate history of the rock group, Slade, on the web. In the world.even. This site is dedicated to the best facts research can find. Jump to the first page here.
Slade 1973
There are Pop bands, there are Rock bands and then there are musical institutions. All three of these descriptions apply to this four man, hit making machine from the West Midlands. With a string of misspelt chart toppers, an outlandish wardrobe and a killer, live act that was second to none. Slade's achievements during the 1970's were little short of phenomenal: their crunching rock 'n' roll and crazee antics would inspire acts such as Kiss, Kurt Cobain, Oasis, Twisted Sister, Alice Cooper, The Ramones, The Sex Pistols, The Darkness and even comedians Vic Reeves and Bob Mortimer, to pick up guitars. And what's more, the stunning re-birth from a career slump during the following decade revealed an enviable stubborn streak and tenacity worthy of only the rare few.

Slade were a top notch group that were dragged into the black hole of Glam Rock, a short lived fad that deflected from who they really were, one of the world's greatest Rock bands. Loud, gregarious and, above all, entertaining with an affable, rabble-rousing demagogue up front.
"Slade were down to earth and honest, and it's a real shame there's not more bands around like them, as you won't find this kind of honesty in the record business these days; mores the pity."
Dennis Munday: Ex Polydor Marketing October 2012
Here, we tell the story of one of the UK's most underrated groups. This is the story of Slade, told in a genealogical manner with the factual evidence to back it up where possible. The main source information comes from:
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'Feel The Noize' by Chris Charlesworth
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'Genesis Of Slade' sleevenotes by John Howells
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'Who's Crazee Now?' by Noddy Holder
Wolvo Archives
Most of the 'new' info comes from the Wolverhampton (and surrounding areas) newspaper archives scoured by Chris Selby, without whom, this site would not be possible. Please bear in mind that local newspapers, like all newspapers, use artistic licence when reporting. For the purposes of this project, we are interested, first and foremost, in the date. The posts run chronologically, the early years are listed under 1971 because that's the earliest date Blogger can handle.

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THE STORY STARTS HERE.

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Intro paragraph by Dave Ling. If any links do not work please let me know in the comments section.

Ray Kimpton re: The Phantoms 1963
Alan re: Dortmund Habenera 1965,
Allie Keith re: John Conlan at Sundown 1972,

Please get in touch. 

You can also find me on Facebook or several Slade forums. 

Mickey P. ;-)
World Wide Web, Planet Earth. March 22nd, 2013
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It is with a sad heart that I echo the sentiments made by my brothers in all things Slade. My philosophy has always been to remain neutral and stick to the facts. The facts in this case are, wrong is being done. Whether this wrong-doing is intentional, official, with or without the realisation of the band members, is totally irrelevant. The implications, repercussions and ramifications are diabolical. The loss of comments made by Randall Vincke alone are enough to make the blood boil. To paraphrase Dave Kemp:

From Roots To Boots totally condemns the start of the removal of all archive footage containing Slade songs and performances from YouTube, seemingly at the request of the so-called Slade Official Channel.

Numerous Slade fans, over the years, have taken time and effort to unearth and upload rare Slade footage to You Tube. These uploads were not made for financial gain of the individual up-loaders. The uploads were made to help promote and keep interest in the band that the individuals love and respect - SLADE.

For the Slade Official Channel to instruct for the videos to be taken down - never to be seen again - is unbelievable.
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